Ken Hughes’ “Alfie Darling” is a sequel to the 1966 film “Alfie,” bringing back the charming rogue, Alfie Elkins (Alan Price), a few years older and (supposedly) wiser. This time around, Alfie’s womanizing ways are challenged by the sophisticated Abby Summers (Jill Townsend), a magazine editor who proves to be his intellectual and emotional equal.
The film throws us back into the vibrant world of 1970s London, buzzing with sexual liberation and gesellschaftliche changes. Alfie, however, remains somewhat stuck in his ways, juggling his pursuit of Abby with encounters with other women, including the vulnerable Norma (Sheila White) and the ever-present shadow of his jealous ex-wife Fay (Joan Collins).
Hughes’ direction is light and breezy, capturing the swinging spirit of the era with a touch of nostalgia. Price delivers a charismatic performance as the lovable rogue, his Alfie still cheeky and playful but with a hint of melancholy beneath the surface. Townsend is equally captivating as the sharp and witty Abby, a perfect match for Alfie’s intellectual banter.
The film’s strength lies in its humor and social commentary. Alfie’s philandering ways are presented with a humorous wink, but the film also subtly critiques societal norms and the changing dynamics of gender roles. The supporting cast adds depth and humor, with Sheila White’s vulnerable Norma and Paul Copley’s hilariously jealous husband providing memorable moments.
However, “Alfie Darling” is not without its flaws. The pacing can be uneven at times, and the film’s exploration of social issues feels somewhat superficial compared to its predecessor. Additionally, the ending might leave some viewers wanting more closure.
Overall, “Alfie Darling” is an enjoyable and light-hearted watch, offering a nostalgic glimpse into 1970s London and revisiting the charming rogue with a touch of maturity. While not as groundbreaking as its predecessor, it still delivers humor, social commentary, and a charismatic performance from Alan Price.
**Score:** 4 out of 5 stars